Stencil-Gothic 1885 Font
attractive
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John West, Ellmer Stefan, Johannes Lang
Kind words and forgiveness are better than charity followed by hurt
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Best usage: Headline, Poster, Logo
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Stencil-Gothic 1885 Examples
48pxKind words and forgiveness are better than charity followed by hurt
36pxKind words and forgiveness are better than charity followed by hurt
32pxKind words and forgiveness are better than charity followed by hurt
20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.
16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.
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About Stencil-Gothic 1885
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What is the Stencil-Gothic 1885 font?
Stencil-Gothic — designed in 1885 by John West of Brooklyn, New York — is the first known typeface that incorporates interrupted strokes in order to evoke the impression of stencil lettering. In addition to the implementation of the stencil breaks into lead type the inventor of Stencil-Gothic seasoned its glyphs with “fey, budding tendrils that sprout from the letters.” (— Eric Kindel: “A tradition with breaks” in Eye magazine No. 86, vol. 22, 2013). More… This coup totally subverts the technical limitations found in stencil lettering and leads to a design of vast conceptual complexity — a typeface flourishing with attractive contradictions and all the sparkle of Victorian eclecticism. Fascinated by the odd polystylistic nature of the design Ellmer Stefan & Johannes Lang set out to digitize Stencil-Gothic in spring 2014. For more background information visit www.stencil-gothic.comStencil-Gothic 1885 Font families
The Stencil-Gothic 1885 includes the following font families: [font-families]Stencil-Gothic 1885 Preview
Here is a preview of how Stencil-Gothic 1885 will look. For more previews using your own text as an example, click here.Font NameStencil-Gothic 1885
Design Date1 Jan 2014
Designer(s)John West, Ellmer Stefan, Johannes Lang
PublisherEllmer Stefan & Johannes Lang
Stencil-Gothic 1885 Glyphs
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