Sweet Gothic™ Font
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0 Styles
Mark van Bronkhorst, Linnea Lundquist
Kind words and forgiveness are better than charity followed by hurt
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Best usage: Headline, Display, Logo
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Sweet Gothic™ Examples
48pxKind words and forgiveness are better than charity followed by hurt
36pxKind words and forgiveness are better than charity followed by hurt
32pxKind words and forgiveness are better than charity followed by hurt
20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.
16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.
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About Sweet Gothic™
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What is the Sweet Gothic™ font?
Sweet Gothic is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. Sweet Gothic Light is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. More… The bolder weights are new designs, based on the characteristics of the Light. A serif variant (Sweet Gothic Serif) has also been developed to expand the usefulness of the family, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.Sweet Gothic™ Font families
The Sweet Gothic™ includes the following font families: [font-families]Sweet Gothic™ Preview
Here is a preview of how Sweet Gothic™ will look. For more previews using your own text as an example, click here.Font NameSweet Gothic™
Design DateNaN undefined NaN
Designer(s)Mark van Bronkhorst, Linnea Lundquist
PublisherSweet
Sweet Gothic™ Glyphs
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