Ratio Modern™ Font
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Patrick Griffin, Kevin Allan King, F. W. Kleukens
Kind words and forgiveness are better than charity followed by hurt
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Best usage: Headline, Display, Logo
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Ratio Modern™ Examples
48pxKind words and forgiveness are better than charity followed by hurt
36pxKind words and forgiveness are better than charity followed by hurt
32pxKind words and forgiveness are better than charity followed by hurt
20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.
16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.
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About Ratio Modern™
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What is the Ratio Modern™ font?
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in construct, Ratio incorporates some old-style and transitional traits, managing to summarize the European evolution of this particular aesthetic. This is evident in its shaped serifs, soft roundings, an elegantly subdued italic, the variation of its shapes between weights, and the obvious fat face influence in the ExtraBold. Thus Ratio finds the balance between modern elegance and fine typographic tradition. More… This exclusive digitization expands on the original metal set by including small capitals and many alternates in all the styles. It also boasts a larger than usual linguistic support.Ratio Modern™ Font families
The Ratio Modern™ font includes the following font families: [font-families]Ratio Modern™ Preview
Here is a preview of how Ratio Modern™ will look. For more previews using your own text as an example, click here.Font NameRatio Modern™
Design Date1 Jan 2011
Designer(s)Patrick Griffin, Kevin Allan King, F. W. Kleukens
PublisherCanada Type
Ratio Modern™ Glyphs
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Language support
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