LGF A LAGE LOGO Font

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Manuel Lage

Kind words and forgiveness are better than charity followed by hurt

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Best usage: Logo, Display, Infographic

LOGO

No one shall be subjected to arbitrary arrest, detention or exile.Everyone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching.

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48pxKind words and forgiveness are better than charity followed by hurt

36pxKind words and forgiveness are better than charity followed by hurt

32pxKind words and forgiveness are better than charity followed by hurt

20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.

16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.

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What is the LGF A LAGE LOGO font?

A.LAGE typography was created by Manuel Lage in 1992 to create the logo of the Printing A. LAGE, initially was not a typography, only five glyphs created expressly, representing the press of a printing press, and the paper in the part central and hollow of each glyph, and an “L” representing the blades of a typographic machine Heidelberg, [which in turn was no more than a version of drawings of sources that I do to my notebooks in the school, take advantage of sheeps]. Later, in 1994, the rest of the glyphs were defined, including the “L”, leaving the logo as a modified glyph and giving a personal touch to the logo. Any version of that type is available for free for personal use by some websites. That typography had different dimensions, perhaps less compensated, with less careful measures, surely by the more limited knowledge of the author in those years. In 1996 work began to re-draw the glyphs, creating a typography (I think it) better compensated, named LGF A LAGE LOGO, more attractive and with more personality. At the same time that this work was done, a typeface appeared in which paper was more protagonist, and inspired by the effect of papyrus or origami, with three-dimensional effect, and that could also be combined with the original source, the two additional files called LGF A LAGE LOGO CENTURY, that although departing of the logo of our small printing house, is not part of the logo (to this day) but is clearly part of the printing press founded by my father. Several versions were made and now this version (3.0) is finished in the year 2016.