Ganymede Font
architectural
0 Styles
James Arboghast
Kind words and forgiveness are better than charity followed by hurt
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Best usage: Headline, Display, Logo
No Styles
Example
48pxKind words and forgiveness are better than charity followed by hurt
36pxKind words and forgiveness are better than charity followed by hurt
32pxKind words and forgiveness are better than charity followed by hurt
20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.
16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.
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What is the Ganymede font?
Ganymede is a geometric linear font combining industrial and architectural themes. Chiselled forms and a crisp finish parallel automotive styling and industrial design from the turn of the 21st century, while the straight sides resemble road signage fonts like DIN 1451, and to a lesser degree hand-lettered shop signs in the grotesk style. Ganymede’s clean, discreet forms recall modernist minimalism of the 1920s and 30s sparked by the Bauhaus; in particular the curves supplanting diagonal strokes in the X, Y and V echo Ed Benguiat's emblematic 1970s font — Bauhaus, itself a descendant of Bayer Universal. Ganymede’s structured and monumental capitals suits them to architectural and signage use. The matching small caps fonts were crafted specifically with architectural and titling use in mind. Their neutral geometry also allows them to occupy a more remote typographic terrain — of futuristic and scientific subject matter. Ganymede 3D is a block shadow variant designed for billboards and signage, free for personal and non-profit use. ‘Ganymede’ is a figure from Greek mythology — a mortal youth of great beauty abducted by the gods.Ganymede Font families
The Ganymede includes the following font families: [font-families]Ganymede Preview
Here is a preview of how Ganymede will look. For more previews using your own text as an example, click here.Font NameGanymede
Design Date1 Jan 2002
Designer(s)James Arboghast
PublisherSentinel Type