Fedra Serif B Font

aesthetic

0 Styles

Naa Design

Kind words and forgiveness are better than charity followed by hurt

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Best usage: Body, Web, Print

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No one shall be subjected to arbitrary arrest, detention or exile.Everyone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching.

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48pxKind words and forgiveness are better than charity followed by hurt

36pxKind words and forgiveness are better than charity followed by hurt

32pxKind words and forgiveness are better than charity followed by hurt

20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.

16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.

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What is the Fedra Serif B font?

Instead of seeking inspiration in the past, Fedra Serif is a synthetic typeface where aesthetic and technological decisions are linked. Fedra combines seemingly contradictory ways of constructing characters into one harmonious font. Its humanistic roots (the rhythm of the handwriting) is balanced with rational drawing (a coarse computer-screen grid). More… Fedra Serif has four weights, italics, small caps, and expert sets for each weight and four different numeral systems (proportional, lining figures; old style figures; tabular, fixed-width figures; and fractions). The font also comes in two different versions with different lengths of the ascenders and descenders (stem lengths). Version A matches the proportions of Fedra Sans, with a large x-height and short stem length, which make it work well in small sizes and in low-resolution print. Version B prolongs the stem lengths up to 12%, and increases the contrast between the thick and thin parts. Both versions have the same letter widths and kerning pairs, so they can be interchanged in a body of text without reflowing the text. Combined, these variants result in a typeface suitable even for most complex typographic situations. It is a common practice to present new typefaces as solutions for particular problems. Fedra Serif tries to go beyond the problem-solving aspect of type design, it is a contemporary typeface, and reflects on its historical position and motivations for designing type today in the following essay. Contrary to Fedra Serif A, version B has an increased contrast and stem lengths, and it is suitable for high-resolution printing and display where its shape can be better appreciated.