Adobe Arabic™ Font
adobe
0 Styles
Tim Holloway
Kind words and forgiveness are better than charity followed by hurt
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Best usage: Body, Web, Print
No Styles
Adobe Arabic™ Examples
48pxKind words and forgiveness are better than charity followed by hurt
36pxKind words and forgiveness are better than charity followed by hurt
32pxKind words and forgiveness are better than charity followed by hurt
20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.
16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.
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About Adobe Arabic™
Details
What is the Adobe Arabic™ font?
The Adobe Arabic typefaces were commissioned to from Tiro Typeworks and designed by Tim Holloway in 2004-05. The design brief was to create a type family that would meet the needs of modern business communications in all the languages supported by the Unicode Arabic character set: not just various forms of Arabic, but also Persian, Urdu, and many other central and south Asian languages written in the Arabic script and using distinctive letterforms and diacritics. The design needed to be clean and contemporary, and also to be readable on screen in, for example, interactive PDF forms. From the outset the two requirements of screen text clarity and linguistic versatility determined the basis of the design. More… Clarity is achieved with enlarged, open counters reminiscent of simplified Arabic types. But to extend the core Arabic glyph set to comfortably support additional languages, more flexible and varied principles were needed. Instead of trying to follow local naskh preferences in styling the non-Arab glyphs, risking disharmony, the design evolved by reference to the wider shared heritage of thuluth inscriptional forms. This led to a more flowing joining line and the incorporation of calligraphically-informed variants and ligatures. The extra stroke weight of the Bold was applied so that, in the same type size, the Bold does not appear bigger than its companion Regular so can be used within the line for emphasis as well as for headings. The set of vocalization signs was tailored to permit their full use without the need to extend the text with tatweel. Vocalization and other marks are positioned dynamically using OpenType glyph positioning lookups. Note that Quranic marks and other purely religious characters are not supported by the fonts, since these fall outside the design brief for a modern communications type family.Adobe Arabic™ Font families
The Adobe Arabic™ includes the following font families: [font-families]Adobe Arabic™ Preview
Here is a preview of how Adobe Arabic™ will look. For more previews using your own text as an example, click here.Font NameAdobe Arabic™
Design DateNaN undefined NaN
Designer(s)Tim Holloway
PublisherAdobe
Adobe Arabic™ Glyphs
No Data
Language support
0 languages available
