Edward's Uncial 1904 Font

adaptable
0 Styles
David Kettlewell
Kind words and forgiveness are better than charity followed by hurt
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Best usage: Headline, Poster, Wedding & Invitation
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No one shall be subjected to arbitrary arrest, detention or exile.Everyone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching.
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Edward's Uncial 1904 Examples

48pxKind words and forgiveness are better than charity followed by hurt
36pxKind words and forgiveness are better than charity followed by hurt
32pxKind words and forgiveness are better than charity followed by hurt
20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.
16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.

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About Edward's Uncial 1904

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What is the Edward's Uncial 1904 font?

It’s 100 years since Edward Johnston proposed the two mediaeval styles uncial and half-uncial to reintroduce handwriting as an enjoyable experience of beauty - calligraphy. Here his hand-written forms are adapted for print and screen, and extended for other languages; there are swash forms of beginning capitals and final small letters: and ornaments coming in a separate font soon! More… In the greater world of today, Edward Johnston is perhaps known mostly for his highly effective but perhaps rather unexciting font for the London Underground; but in calligraphic circles he is given the credit for having more-or-less single-handedly started the 20thC movement for Italic hand-writing, with one book, which was first published in 1906, reprinted dozens of times, and indeed is still in print today - Writing and Illuminating, and Lettering. He gives there two alphabets which he proposes should be used together as a model for a basic repertoire - an uncial and half-uncial used together as a modern upper and lower case respectively: of course, it was the renaissance alphabets which later became the basis for 20thC calligraphy, rather than these early mediaeval models, but they introduced the idea of a broad nib generating thick and thin strokes, rather than the point used for copperplate. Edward Johnston drew the proofs of the two script on different plates, and they are printed on different pages in the book, as models for handwriting: they are really too different from one another to use them together as a font just as they are. But with some adjusting, the result is rather delightful alternative to, on the one hand, historically-authentic uncials, and on the other, the ultra-smooth and regular modern interpretations which most fonts today offer. Alongside the regular font, there is a version with swash capitals to start words off with, and swash lower-cases, mostly to end short lines with, though b f k p q can work with letters after them too: to appear under Windows as a single family, this is called ‘Italic’ in the font menu. One interesting detail concerns the numbers, for which Edward Johnston suggests that - after a 0 and a 1 which are as high and low as an ‘x’, neither ascending nor descending - the even numbers might ascend while the odd numbers descend. This makes for a refreshing contrast with today’s implementation of these 'old-style numbers', where 2 is ‘x’-height like 0 and 1, and 4 descends with its neighbours 3 and 5, rather than ascends like the other even numbers 6 and 8. Edward Johnston gave a model of a decorated capital O with a patterned background: here the two elements are separated, so you can use the background with various colours and with any of the capitals. Or indeed capitals from other fonts.

Edward's Uncial 1904 Font families

The Edward's Uncial 1904 includes the following font families: [font-families]

Edward's Uncial 1904 Preview

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Font NameEdward's Uncial 1904
Design Date1 Jan 2011
Designer(s)David Kettlewell
PublisherNew Renaissance Fonts

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