Clarendon Text Font
advertising
0 Styles
Patrick Griffin
Kind words and forgiveness are better than charity followed by hurt
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Best usage: Body, Headline, Print
No Styles
Clarendon Text Examples
48pxKind words and forgiveness are better than charity followed by hurt
36pxKind words and forgiveness are better than charity followed by hurt
32pxKind words and forgiveness are better than charity followed by hurt
20pxNo one shall be subjected to arbitrary arrest, detention or exile. Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him. No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.
16pxEveryone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.
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About Clarendon Text
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What is the Clarendon Text font?
Clarendon Text is a contemporary remake of the truly classic slab serif typeface with a distinctively clear and legible visibility. It is a widely usable text type suited equally well to advertising, books, publications, and a wide range of corporate literature where large amounts of reading matter call for distinction and style without sacrificing readability. More… The rich, full-bodied style of Clarendon Text takes its primary inspiration from the classic 1953 Hoffmann/Eidenbenz polishing of the mid-nineteenth century English slab serifs originally conceptualized by extraordinary craftsmen like Vincent Figgins and Robert Besley. The italic styles of Clarendon Text take their cue from Aldo Novarese’s 1955 Egizio typeface, which was the very first to attempt a true italic companion to the Clarendon roman. Clarendon Text slightly departs from the original roman and bold in semantic details that make it contemporary and more easily read. The shapes of the letters like a, g, q, and t were revised to be more in line with an immersive body copy face. The original a, g, q and t are available as alternates, for display uses, or those designers who like to make use of the traditional Clarendon. The ascender serifs were also slightly revised for a better immersive reading fit. Clarendon Text was tested thoroughly for readability in sizes between 8 and 12 pt. This is demonstrated in the 4-language print test PDF available here in the font gallery. Display uses are also clear and attractive, especially with the bold weights. Clarendon Text is also the very first version of the Clarendon classic that takes advantage of current type technologies to bring you small caps, five different styles of figures, fractions, and support for over 40 Latin-based languages. Each of Clarendon Text Pro’s 4 fonts contains over 580 characters.Clarendon Text Font families
The Clarendon Text includes the following font families: [font-families]Clarendon Text Preview
Here is a preview of how Clarendon Text will look. For more previews using your own text as an example, click here.Font NameClarendon Text
Design Date1 Jan 2007
Designer(s)Patrick Griffin
PublisherCanada Type
Clarendon Text Glyphs
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Language support
0 languages available
